Digital Lab. Opera North. It’s Raining Stats and Blogs.
The second blog by Tom Morris (Marketing Officer) and Lily Ackroyd-Willoughby (Web and Digital Officer), Opera North as part of their joint Fellowship at AMA Digital Lab.
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Digital Lab. Theatre By The Lake. Vlog 1. Using live streaming to reach wider communities.
The first Vlog by Rachel Swift (Head of Communications) and Meg Eyre (Marketing Manager) at Theatre by the Lake as part of their Fellowship at AMA Digital Lab.
Digital Lab. Orchestra of the Swan. Blog 2. A/B testing and The Learning Circle
The second blog by Paolo Pezzangora, Marketing Manager at Orchestra of the Swan as part of his Fellowship at AMA Digital Lab.
Digital Lab. Almeida Theatre. Blog 2. Polling – quick wins and other feedback.
The second blog by Aaron McGregor, Marketing Manager (CRM & Digital) at Almeida Theatre as part of his Fellowship at AMA Digital Lab.
Digital Lab. The Palace Theatre and the Opera House Manchester. Blog 2. Using Instagram TV.
The second blog by Abigail Henry, Marketing Communications Officer at The Palace Theatre and the Opera House Manchester as part of her Fellowship at AMA Digital Lab.
Digital Lab. Forced Entertainment. Ask the Audience.
The first blog by Alice Dale, Marketing and Communications Manager at Forced Entertainment as part of her Fellowship at AMA Digital Lab.
Digital Lab. Byard Art. Experimenting with paid promotion.
The second blog by Francesca Ramsay, Assistant Manager at Byard Art as part of her Fellowship at AMA Digital Lab.
Digital Lab. London Transport Museum. Blog 2. Bea-coning in 2020.
The second blog by Harriet Burke, Head of Digital Marketing at London Transport Museum as part of her Fellowship at AMA Digital Lab.
Digital Lab. We The Curious. Blog 2. The World’s Most Makeshift Podcast.
The second blog by Ginny Russell, Digital Communications Producer and Coordinator at We The Curious as part of her Fellowship at AMA Digital Lab.
Quite an adventure: lessons from digital arts projects with older people
This short report summarises the findings of an evaluation of the Digital Arts and Creative Ageing (DACA) Programme, funded by the Baring Foundation and the Nominet Trust (now ‘Social Tech Trust’). The evaluation was carried out by Imogen Blood, Lorna Easterbrook, and Mark Robinson, of Imogen Blood & Associates and focused on how the use … Read more